Posts Tagged ‘Wine Country’


The Approaching Harvest

 

My partner and I meet up in a leaf-strewn parking lot on the outskirts of town last week and hit the road together.  The change of season and the upcoming frost signals the time to visit our farmers and select a date for this year’s olive harvest.  The cool damp morning dictates barn jackets and boots, as we plan to walk the damp orchards, evaluating the ripeness of the fruit.  The Tuscan varietal olives for our L’Autunno blend are grown on a variety of small, family farms and vineyards scattered across the Mendocino and Sonoma wine country.  Each group of trees occupies its own microclimate, and as with wine grapes, must be harvested according to the correct degree of ripeness.  Here in this part of northern California, the olive harvest is often squeezed into the last week of November and the first week of December.  Up here, we need to leave the fruit on the trees long enough to develop a workable percentage of ripe fruit, which, due to our mild climate often means we barely beat the first hard frosts.  Last year, the frost caught us at our home ranch, Shooting Star, in the Anderson Valley.  Luckily, we were able to get the last of the fruit in and over the hill to the press in time, with little or no damage.  We pressed at seven that evening, and the steel building housing the press itself was cold and drafty.  Bundled in sweaters and jackets, we soaked in the pungent and somehow warming aroma of the new oil.
 
We walk together with the first farmer, up and down the rows of trees.  A misty rain falls as my partner pulls both ripe and green fruit from a sampling of the trees and cuts each olive open with a small knife.  Squeezing the pulp between his fingers, he carefully evaluates the ratio of water to oil.  He touches the tip of his tongue to the pulp and smiles knowingly.  The sharp bitterness of the olives foreshadows the complex peppery flavor of the oil to come, a good sign given the relative ripeness of this fruit.  We each leave that afternoon with an unmarked bottle of the farmer’s homemade pinot noir under our arms, and move on to the next farm.
 
When we decide on a date for the harvest, we schedule the press and call the crew bosses.  Since we still hand-pick our fruit, we need to make sure there are enough workers available to strip all the trees and deliver the fruit to the press before the day’s end.  In order to produce the highest quality and most flavorful oil, the olives must be pressed within hours of picking.  Even in this cold, foggy weather, the olives will heat up in their large wooden bins and begin to ferment if left to sit too long.  Many of our farmers are so small that they produce less than a ton of olives each; so we must also coordinate the picking and delivery so we can take advantage of the economies of scale at the press.  The logistical dilemma of delivering most or all of the fruit to the press at the appointed time is a tap dance of sorts, but somehow, each year, we manage to pull it off.  It is an annual reunion, as each farmer arrives with fruit, and stories of the growing season are exchanged as we stand around in the gathering darkness.  Some of them will be paid for their fruit in finished oil, and look forward to tasting this year’s blend.
 
Late in the day, we return to the parking lot and I climb back into my truck for the trek back over the mountain to the coast.  My partner has farther to go, crossing the mountains and valley to the east to return to his own ranch in the western Sierra foothills, where the harvest and pressing are already in full swing.  We will return in early December to repeat this ritual that spans generations.  Olives are a crop for the long haul, and the trees that we harvest from this year will continue to produce fruit long after we are gone.  The air is crisp, the light is slightly golden, and the grape vines stain the hillsides with their reds, oranges and golds.  The seasons come and go, the fruit ripens, and the rhythms of the farm continue for yet another year.
Post by Julia Conway on November 13th, 2008

The Seasons as a Muse

 

It is my favorite time of the year again. The huckleberries hang heavy on the bushes that surround the redwood groves here on the first ridge above the ocean, and the wild blackberries tempt me from their thickets as I drive up and down my road. There is a particularly large patch that runs along the fence of the rodeo arena, belonging to no one in particular, but harvested by many. The berries are so plentiful; I can pick a quart in less than twenty minutes without even wading into the maze of brambles. Our Gravenstein apple trees have yielded up their bounty, at least those apples we have managed to save from the predatory teeth of the little dog; which has learned to stand on his hind legs to reach up and grab the unwary fruit.  Each afternoon I steal an hour or two of time to harvest the seasonal abundance. In the coming days, I will begin the process of preserving what I pick. Applesauce will simmer away on the back of the stove, and quart bags of berries will multiply in the chest freezer. Soon the rains will come, bringing the first flush of chanterelles and the elusive Gamboni (roughly translated, “legs”), the wild porcini mushrooms of the north coast. I found my first porcini last year, Boletus edulis, growing alongside the logging road that borders the southwest side of our land. It is said that once you develop the “mushroom eye” and are able to spot the treasures of the woods beneath the leaves of the low-hanging plants, you will forever be drawn to them. I found this to be true, as on the trip out along the very same road, I saw no mushrooms to speak of. However, in a quiet clearing in the misty woods, I came upon my first bolete. After that experience, as I walked back up the road, they appeared out of seemingly nowhere, everywhere I cast my eye.
 
The days grow shorter, and it is dark and starry outside at five when I first awaken. Even with the morning sun, the temperature remains in the high forties until sometime around eleven. Then it is warm enough to throw open the doors of the house to absorb every ray of that Indian summer sunlight. The shadows close in again around four, and the breeze turns cool once more. The garden is pumping out tomatoes and beans as if it knows that our time together is growing short. I pull up the arugula, which has bolted and gone to seed, and cut the last large head of red leaf lettuce. The Italian salad greens can continue to be cut as needed, and will sustain us through to the damp winter days where the ground will be too wet to support even their courageous perseverance. Tall spikes of artichokes and artichoke blossoms punctuate the far southern edge of the garden, more noticeable now that the fennel forest has folded its seed spires for the season. Next spring’s onions wave their deep green tendrils in the evening breeze. The chard begins to slow its inexorable production of crisp leaves and the pumpkin vines show blowsy blossoms that hint of fall treats to come.
 
I too begin a season of gathering in. Most of my big events of the summer and early fall are completed, and I start looking to the slower winter season ahead. I force my pulse to slow, and find that, without the ever-replicating to-do lists; I have time on my hand and can turn to pursuits of the home. There is this underlying urge to take the production kitchen apart at the seams and clean every nook and cranny. I hold off for the moment, however, as there are jams and cordials to me made, tomatoes to simmer into sauce, and a rainbow of Gypsy peppers to roast and freeze for the days when the colors of summer’s produce are absent. My sanity in the winter months is directly related to the hoard of summer produce that lines the shelves of my pantry and the depths of my freezer. No matter how much I love the sweet caramel of a roasted winter squash, the peppers and tomatoes of summer beckon with their sweet and sour nuances of sunshine past. I also begin to stock the freezer with braising cuts from my local meat producers; short ribs, pork shoulder, and the whole beef leg bones which will yield beef stock of incredible richness to baste an entire seasons’ meals. I have already made gallons of chicken stock from the multitude of carcasses saved from summers’ grill roasted birds. One of the last items that will go down into the freezer’s depths will be pesto. When my local farmer pulls up the last of the frost-kissed basil plants, I will puree them with pine nuts, Parmigiano Reggiano and our own olive oil, freezing stacks of half-pint containers of the bright green paste.
 
Last year, in a fit of anger after a large and ostentatious wedding left me with cases of figs and champagne grapes, I made over ten pounds each of fig preserves and grape chutney. The chutney, called mostardo d’uva in the Piedmont region of Italy, graces cheese plates even today. I am down to my last scrapings of the decadent fig preserves, and hoping to be able to purchase another case of figs this year. Prices are high, but I am hoping for an early frost that will drive the farmers to pick everything at once. The fact that the fruits are misshapen, bruised or frost-kissed makes no difference in the kettle. The recipe is surprisingly simple; cut the fruit into halves, and toss with an equal weight of sugar. When the juices exuded reach the top of the fruit, the entire bowl is dumped into the largest kettle, and a cup of fresh lemon juice is added. The mixture simmers away for up to five hours, or until it is thickened to the consistency of jam. With sterilized jars waiting, I spoon the painfully hot fruit into the jars, seal their rings, and hot process for twenty minutes. The final color is amazing, deep brown and yet golden, with small flecks of seeds. The taste is pure summer, and serves to encourage us through the cold and dark months ahead, with the promise of another summer to come.
Post by Julia Conway on September 24th, 2008